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Phase II (27) — How the Teaching Proceeds (2)
The Rolfing training has entered its final stretch, with four days remaining. This seems a fitting moment to return to how the Rolfing training proceeds. […] -
english-blog english-page ベーシック・トレーニング
Phase II (26) — Session 8: The Shoulder Girdle and the Pelvic Girdle
The explanation now moves to session 8 as well. The main questions of sessions 8–10 are: In other words, in sessions 1–7 the focus had […] -
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Phase II (25) — Feedback: How Is It Given and Received in the Training?
In the Rolfing training, there is a great deal to learn about how feedback is given to another person and how it is received from […] -
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The Body Holds Six Spaces — Gravity, g and g’
This is the third of three pieces in the Letting Go of Tension series. The series was written during Phase II of the Rolfing Basic […] -
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Trauma Stays in the Body, Not in the Event — What Happens in the Deep Sessions
This is the first of six pieces in the Body and Mind series. The series was written across the periods of Phase II and Phase […] -
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Phase II (24) — Old Patterns and New Patterns
While learning various techniques in the Rolfing training, I am told from time to time by the instructor: “People grasp things in terms of right […] -
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Phase II (23) — The Integration Sessions
Rolfing organizes the body through ten sessions. What has been written so far covers the groundwork of the first seven, the methods involved, and what […] -
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Phase II (22) — Session 7: The Head and the Face
Sessions 4, 5, and 6 organize the medial line by way of what lies above the pelvis — the psoas major, the sacrum, and the […] -
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Phase II (21) — The Three Elements of Posture: Visual, Vestibular, and Kinesthetic
In looking at posture, Rolfing holds that three elements are involved: the visual system, the vestibular system, and the kinesthetic system. Balance is understood to […] -
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[R#32] Phase II (20) — The History of Painting and the Body (2) — How Do We View the Face and Head Through the History of Painting?
During the Rolfing training, photographs of paintings come up often. I have touched once before in this blog on the body and the history of […]
